Where The Truth Lies Hidden
Scratching through the scripts . . .
What a game . . . this capturing of information and knowledge and how it is wielded to move people about! Truth is a ‘big’ subject because it falls within the parameters of each person’s belief system, and it can be extremely polarized with details. Perception is important because it allows each soul within the ‘earth game’ to experience exactly what they chose to experience. Now - ‘chose’ can be an offensive word because of the experiences that some unfortunate souls have, but how else do I place you in a position of power, other than to put you in the driver’s seat or creator’s chair?
As a victim and as a tyrant we have power, but it is the power of this reality and it is not really that powerful at all. Tyrants and victims can call the shots, punish, and extend the story that they are immersed in. It takes two to tango. This is the show that we choose to be an actor in and the script is ready - just like the actor/actress that shows up at the movie set and learns the lines off by heart (one would think!), before the camera starts rolling. We are born with a script and now we have to act our part, and sometimes we are the kind and gentle healer and other times we are the ruthless misogynist . . . and we are paid in kind with experience.
It is fortunate for some who choose the act of being a millionaire or the monk on the mountain top, but not so much for those that choose the act of being the beggar on the street, or the abuse victim in the shelter. They are all acts of being . . .
Why else would there be Acts passed by governments, or Legal acting classes by the judiciary system, or Acts in the bible? Why would we be judged by our actions and why are F-ACTS so important? Why are the facts the winners of all perception? Whose facts are they? Truth is extremely subjective and historic facts are now being exposed as mis-information, and yet decades ago they were solid in their factual power.
It is all an act.
The posturing and pomp, to-ing and fro-ing of big voices, grand gestures, and over-the-top announcements. Grand declarations, lavish festivities, televised events that show the actors to be larger than life . . . why do you think this is a part of the earth act? They act out going into space (as if!), owning wild animals, and being empire builders.
Scene One - Act One: Capture the world’s attention because a captured attention (span) is a guaranteed audience.
Scene One - Act Two: Put on a show that evokes emotional responses because the subconscious mind can be hypnotized into believing anything.
Scene One - Act Three: Use enough truth or fact, that even if it is covered in ‘nonsense’, it is accepted, and followed without question.
Scene Two - Act One: Use the right actors to put on the best shows because people want idols to follow - (check out Commandment 2). Slip government ‘acts’ through parliament when everyone is asleep.
Scene Two - Act Two: Use the actors to draw the audience’s attention (from S1-A1 above) in the opposite direction of where the important stuff is taking place. Re-direct their attention (span).
Scene Two - Act Three: Introduce the acts that were scripted from the 1960’s (Flower Power Generation) to lull the audience into feeling safe and secure. Don’t tell them that the Flower- Power generation was deliberate because the movie producers (those that write history) knew that a spiritual revolution was coming . . . and wanted to get ahead of the lofty trend!
Scene Three - Act One: The Flower-Power backdrop for any production is inviting and rewarding because it promises that there are no nightmares and that all will be safe in the new earth movie! It is the new spiritual earth movie and everyone thinks it is a future fact.
Scene Three - Act Two: The New Age kind of spirituality of ‘Oneness’, ‘Kindness’, and ‘Everlasting life’, beats the old historic earth idea. It feels like sheep being shown a greener pasture, but it beats the rocky ground that has been the current experience. Everyone is captured . . . eyes glued on televised events, and the threats of alien invasions and tyranny are gently introduced to the movie set.
Scene Three - Act Three: But wait - a hero emerges . . . a knight in shining armor . . . a savior to guide people and show them the way! The audience relaxes their emotional bodies and they feel relieved that danger has been averted, and they have been saved. The end.
Applause Everyone!
Meanwhile back at the rusty ol’ ranch, some really wise souls have woken up and seen through the acts. They came into their life act for a simple reason - to pull the wool off the eyes (sheep right) and speak about the different layers of acts and plays that are available. They chose to see through everything, to be pariahs, to be rejected, to be outcasts (even some real life actors), and they chose to pull the wool off the wolves (who love their sheep’s clothing)!
Nothing is fact. It is perception. Yours.
You own your truth. Your truth and your reality will follow your movie script - the one that you believe in.
You chose to come into life with a script - a personal one - but you do not have to keep following it line by line until you know it off by heart. You can change your script and join a different movie set where you are both the actor and the audience, which means that nothing happens in your life that you do not want to happen. But you have to realize that there is a different movie showing in a different theatre of life, which is not being shown on the main screen.
It is not the usual happy-ever-after fairy tale that feeds the victimized soul, but rather one of strength and Spirit, overcoming and resilience, triumph and a reality that allows soul to be a part of the personal experience. It recognizes that all scripts need to be re-written completely, and new acts introduced that are vibrant with opportunities and alive with soul!
These truths . . . that you are being fed by the general media are re-hashed scripts, which create mayhem and then peace, disorder and then order, and chaos followed by calm. Find the scripts where there is no chaos, disorder, or mayhem and the solutions are yours because you are the actor and the production, the stage and movie all in one - you are complete.
Editor: Dorothy Turner
Yes! This a powerful message. Received with gratitude and doing the work to write the script that is good and getting better!
What a great metaphor that illustrates so well the true power we have and how we can use it to make the difference in our world and others’ as we create!